Tag Archives: acceptance

Because Every Body is A Work of Art

Yesterday on the hairpin* I came across this video and had to share it.

I’ve already written a post about why comparing women’s bodies to fruit is dumb, but comparing them to artist’s works might be even stupider. Because when the girl in the video says she is a “Matisse” I immediately think of this image:

Obviously Matisse has some gorgeous paintings of frolicking women, but like most artists, he has a wide breadth of work and painted many different subjects of all shapes and sizes. So honestly, I prefer the fruit, at least they’re standard shapes.

I also just don’t get this campaign. I get that they did research and learned that women don’t like to be compared to fruit (duh), but did they take it one step further and ask them if they like to be categorized at all? And are these undergarments coming in artists names instead of sizes? Like instead of being a size 8 are you just a Rembrandt? I’m confused.

How about this, maybe we don’t compare women’s bodies to anything and they can just be you know, bodies? And then we can all like wear clothes that fit us and dress ourselves without being told that our shape category doesn’t allow us to wear gaucho pants or double-breasted blazers or whatever the hell we feel like. Maybe we’ll look stupid because everyone knows a Modigliani should never wear ponchos, or apples should wear belts with everything—but whatever. Even if we’re blissfully unaware of what paintings and fruit we resemble, we’ll probably be happier.

*If you don’t know what the hairpin is you should check it out. It’s probably one of the funniest lady-centered blogs out there. It’s not preachy or self-righteous at all, which is a breath of fresh air, and it consistently makes me spew my morning coffee all over my keyboard—and that’s no easy feat.

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The Going Away Outfit, and The Trouble With Dress Shopping

Ok, so it’s not really a going away outfit for me as much as it is a brunch the next day/going away outfit, but I’m calling it my “going away outfit” anyway. I like the idea of it, it’s a bit of a throw back, a little retro, a bit traditional, but practical too. Years ago brides would buy their outfit as part of their wedding trousseau and change into it before they left for their honeymoon while the wedding was still going on. Maybe I just like the idea of buying a new outfit, but I keep thinking about Shelby’s little pink suit in Steel Magnolias, and Cameron Diaz’s character wears one at the end of My Best Friend’s Wedding too—maybe it’s Julia Robert’s who’s responsible, but either way, I like the idea.

My wedding ends at 1:30 in the morning so I won’t be changing into anything but pajamas afterward, the next morning there will be brunch though, and then the fiancé and I are going away for the weekend, so as far as I’m concerned, the occasion calls for a cute outfit.

The going away outfit is usually a suit, but the problem is, it’s hard to find suits that are cute and feminine, and if I did find a cute suit I would probably either never wear it again (and I already have an expensive dress I’ll never wear again) or if I did ever wear it again it would be to an interview, and that would just take all the fun out of it. So I thought I’d look for a going away dress instead.

Unfortunately, I haven’t been having any luck, sometimes finding dresses can be exceptionally hard. It seems that everything is either a party dress, a work dress, or a sun dress, anything else is really hard to find. My mother says it’s because in your twenties you end up in-between the juniors section and the ladies section—that theory is reserved for mall department stores, and is also completely true. All the stuff in the juniors department seems flimsy and ill-fitting, and most of the stuff in the ladies department is best suited for the office or the MOTB (that’s mother of the bride in wedding speak). So what’s a girl to do? Not shop at department stores I guess.

I checked out Anthropologie too, and maybe it’s just me, but it seems like their clothes (especially dresses) just keep getting more expensive and less wearable. Everyone knows that Anthropologie has a tendency to take a perfectly lovely article of clothing and stick a weird flower or pom-pom on it and ruin the whole thing, I’ll do a whole post on it one day, but right now all I can say is they have a lot of weird expensive dresses. When you need to find something it’s impossible to find it, but finding cute dresses seems harder than usual recently.

I only have 29 days more to look, and I’m generally sick of the state of available dresses. That seems like a crazy complaint, but the more I trek around to stores and click through pages online, the more I’m convinced that dresses only come in three categories.  You could draw the conclusion that the fashion industry only sees women as one of these three archetypes—business woman, party girl, or cutesy teen, but maybe it’s a supply and demand thing. So what I’m wondering is, do other people have this problem when searching for dresses? Is it just me who hates spaghetti straps or low backs because I have to think about what bra to wear with it? Or who feels like every dress is either too short or too frumpy? Anyone else who longs for tailoring and fit without sacrificing personality and femininity? Maybe I’m just crazy, but I’m also a lady who loves dresses, and I’m fed up with my lack of options.

Anyone have suggestions—perhaps a favorite store I haven’t thought of? I’d also appreciate any insight into why dresses have to be sleeveless, because that’s something I’ve never understood, who wants to have to search for a sweater after all that dress shopping?

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Beauty in the Movies: Ghost World

This week for Beauty in the Movies we take a trip to the bizarre limbo that occurs between high school graduation and the rest of your life in the film adaptation of the cult comic Ghost World.

Based on the comic by Daniel Clowes, the film Ghost World follows the adventures of Enid (Thora Birch) and her friend Becca (Scarlett Johansson) in any-town USA. After graduating from high school the girls plan to get jobs and an apartment together. While Becca sets out to find a job straight-off, Enid isn’t as sure of what she wants. The two of them act pretty much like most teenage girls, especially of the indie persuasion, they’re jam-packed full of sarcasm and lacking in empathy, they love to tease their dopey friend Josh (the sadly deceased Brad Renfro), who they both probably have secret crushes on, and Enid in particular has a fascination with the weird and feels alienated from the rest of her generation.

In an act of both teenage stupidity and immature cruelty, they answer what they deem as a “pathetic” personal ad in the newspaper, and then watch as their victim, Seymour (Steve Buscemi), waits for his date who never shows up. They then force Josh to follow Seymour home, and continue to stalk him in that crazy obsessive way teenage girls do to entertain themselves. Later, they stumble upon Seymour at a garage sale in his apartment complex and Enid buys an old blues album from him, which she subsequently falls in love with. After visiting him again, the two enter into an unlikely friendship which ends up having a profound effect on both their lives.

I was exactly the same age as these girls when the film came out, and in some ways found the characters so relatable that watching it again makes me feel like I’m looking back at my teenage self. The way the girls behave in this film reminds me more of the way I acted at 14 than 18, by that age I had developed more empathy and understood people better. Ghost World lets us watch as these characters mature and realize there is a world outside themselves.

The best parts of this movie are the strange characters, the wheelchair coffee-guy with his piano scarf, the couple at the diner Enid deems “Satanists”, even Melora the girl’s incredibly annoying, endlessly chipper high school classmate—and there are so many more. All the oddball individuals will totally crack you up, there is something for everyone in this movie.

Enid is a likable character because of her humor and creativity, but she’s also pretty vile at times. She is selfish, mean, and she obliviously screws up not only her own life, but the lives of nearly everyone around her. It’s interesting that a girl who so deeply observes her surroundings, constantly watching and commenting, could be so completely ignorant of how her actions affect other people living in her world. That’s part of her charm though, the audience sees her doing these stupid things and wants to grab and shake her. We see how unconsciously naive she is, while she acts as if she has it all figured out—until she realizes she doesn’t, and I think most of us have been there in our youth.

Daniel Clowes went to Pratt Institute, where I graduated from as well, so one of my favorite parts of this movie is the summer art class Enid is forced to take after flunking art in high school. The kooky, pretentious teacher (expertly played by Illeana Douglas) puts an emphasis on “art with meaning” rather than the “amusing”, “lightly entertaining” sketchbook Enid submits—a perfect example of the frustrations of fine art. And who could forget the tampon in a teacup presented by the teacher’s pet as a “shocking” commentary on womanhood? It’s so flawlessly art school bull-crap that it’s delightful.

I never read the comic, I know I should have and I still plan to one day, but from what I’ve read about it (and what my fiancé tells me) the story in the comic revolves more closely around the relationship of the two friends. I’m not sure why they made the choice to focus on Enid’s relationship with Seymour, but I think it would have been interesting if the friendship between Becca and Enid, and how it changes and falls apart after high school, was a bigger part of the story. Everyone has that person you were friends with in high school who you grew apart from after graduation, it’s a strange and sometimes painful thing, and very much a part of growing up.

Ghost World captures perfectly that time in life when you simply don’t know what to do with yourself, and you haven’t really figured out who you are yet either. In some ways it’s one of the closest examples of a female coming of age story on film, which is something we don’t see too often, and I hope we’ll see more of in the future.

Have a great weekend everyone, see you back here next week!!

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A Wedding Miscellany

I’m sorry to do another wedding post, but I have them on the brain. I am breathing, eating, and sleeping weddings recently. Whether it’s putting together my wedding play-list, ordering candy for our wedding candy bar, or painting bridal card boxes for others with upcoming nuptials, it’s a huge part of my life right now.

I’ve written before about the stress of planning a wedding, but there are so many things to keep track of that you can’t keep your mind from running all over the place, so this post might be a bit scattered, and I apologize for that.

All of the illustrations featured below are from an adorable little book my mom bought for me when I got engaged—it’s called The Little Big Book for Brides, and it has all sorts of cute advice, customs, and strange facts you never knew about weddings, here are some examples:

“Feed a cat out of your wedding shoe for good luck”—hmm, kind a gross, but I could try it!

“If in October you do marry , love will come but riches tarry”—this doesn’t surprise me at all, sounds about right actually. Darn.

My favorite part of this book is a whole long excerpt from an article entitled “The Instruction and Advice for the Young Bride”, it was published in an 1894 newsletter and it will blow your mind! For example:

“One cardinal rule of marriage should never be forgotten: GIVE LITTLE, GIVE SELDOM, AND ABOVE ALL, GIVE GRUDGINGLY. Otherwise, what could have been a proper marriage could become an orgy of sexual lust.”

Cracks. me. up. Here’s some more sage advice:

“Clever wives are ever on the alert for new and better methods of denying and discouraging the amorous overtures of the husband. A good wife should expect to have reduced sexual contacts to once a week by the end of the first year of marriage and to once a month by the end of the fifth year of marriage.”

I hope you’re listening ladies!

Moving on, today I am officially starting my pre-wedding diet. I know, I wrote a whole post about how I wasn’t going to let the pressure get to me and I wasn’t going to starve myself, but here’s the thing; I went for my final dress fitting and things changed. The good news is that the dress fits perfectly—too perfectly. It fits so perfectly that breathing is a bit of a problem. If I had money to spare I’d probably just let it out a little, but money is an issue, and the cost of alterations on bridal gowns are astronomical. So in the interest of saving a few hundred dollars, I have to cut back on my beloved cheese, ice cream, fried anything, and all the rest of my favorite foods. It’s just for a month, so I can handle it, and I just need to keep thinking about all the food I won’t be able to eat on my wedding day and my inability to dance if there is no room to move in my dress as motivation. So for the next month I’m counting points, snacking on carrot sticks and praying that come October 29th, I can breathe, move, dance,—and eat comfortably.

To those of you who are getting married soon, or planning on getting married soon, or have some kind of big party or event to plan in general, here is some advice—start planning now. Months ago, even a year ago, I kept poo-pooing things “oh, we have time” I’d say, and now I wish I could go back in time and knock myself upside the head. Not only do I wish I had taken care of some things earlier, but also, spending money in small bursts over a year is far easier than doling out large amounts all at once. So, if you see something you like—whether it be a wedding dress or favors, buy it, or at least bookmark it now, you’ll thank yourself later.

So, right now I have to order my favors, and research hairstyles and follow-up with the florist, the hotel, the venue, and so much more, and every phone call will hopefully soothe a bit of the madness, but really all I can hope is that I fit into that dress and actually get to eat some of my wedding cake, and of course, cheese.

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Beauty in the Movies: Working Girl

When I first decided to start Beauty in the Movies, one of the films I had in mind was Working Girl, it’s one of the most iconic examples of female empowerment in cinema, and it’s got an awesome 80’s wardrobe to go with it.

(click to enlarge)

When we were little (way too little to understand most of it) my sister and I watched this movie over and over again. I think mostly it had to do with Joan Cusack’s insanely fabulous hair and make-up, seeing Han Solo as a business man, and also the song “Let the River Run” by Carly Simon which we sang loudly and repeatedly to the intense annoyance of my mother.

Working Girl is the story of Tess McGill, a Wall Street secretary from Staten Island with the brains of a high-powered executive, and as she puts it—”a bod for sin”. Unfortunately, since she is lacking the breeding and ivy league education, all she gets out of her bosses is sexual harassment in the form of set-ups with jerks (including Kevin Spacey) who treat her like a prostitute. Tess thinks it’s a blessing when she ends up the secretary to powerful businesswoman Catherine Parker (Sigourney Weaver) who promises to help her and listen to her ideas, but as many of us with office experience have learned, for some awful reason female bosses can sometimes be far crueler than their male counterparts. When Catherine breaks her leg during a ski trip, Tess discovers that Catherine has been so impressed with her ideas that she is planning to pass them off as her own. In her mentoring of Tess, Catherine gave her secretary the excellent advice that only you alone can make things happen for yourself—and that’s exactly what Tess resolves to do.

Since Catherine already started the ball rolling on Tess’s business proposition, all Tess has to do is contact Jack Trainer (Harrison Ford), the broker Catherine was planning to work with, and give herself a makeover in time for their meeting. I won’t go farther than that, you’ll just have to see it for yourself if you haven’t already. Some other reasons to see this film; Joan Cusack as Tess’s best friend Cyn, a brief appearance by Ricki Lake, and even better—David Duchovny as an extra, or as he is referred to in the credits a “Party Friend”, the slicked back hair is not a good look for him.

Working Girl is a Cinderella story of sorts, and though Harrison Ford does make a particularly charming prince, Tess is really the one who saves herself. She could have just accepted her place, she could have been discouraged by listening to her bosses, or her sleazy boyfriend (Alec Baldwin), or even the other secretaries, but she doesn’t, she goes after what she wants.

This movie is loaded with great performances, all three ladies scored Oscar noms for their performances—Melanie, Sigourney and Joan, and Mike Nichols was nominated for best director as well. It’s a rare film that manages to fall into the category of romantic comedy while also being taken quite seriously. It’s Melanie Griffith’s performance that keeps this film from being a typical rom-com, she portrays a mix of vulnerability, ambition, and pride that make her character both believable and sympathetic. While Harrison Ford is adorable and captivating (there is a great scene where he changes his shirt in the office to the delight of the secretarial pool), it’s the ladies that give the film depth. Even the villainous Catherine, played so impeccably by Ms.Weaver, manages to avoid being one-dimensional. Catherine doesn’t purposely want to hurt Tess—but she doesn’t believe it’s her fault if she has to step on people to get to the top.

As I was watching this last night I couldn’t help but think of Mad Men, one of my (and everyone’s) favorite shows. Just as Mad Men is a peek into office life in the 1960’s, Working Girl is the 1980’s equivalent. Obviously Mad Men is far more serious and stylized, but the hierarchy and the struggle for women remains the same. A major issue on Mad Men is whether women are better off trying to behave like men in the office, or if they should embrace their sexuality rather than stifle it. Catherine Parker is a perfect example of a businesswoman who refuses to dress in boxy suits and dull shades to put the men at ease. Besides, if a confident women puts her male colleagues on guard, and draws attention to the fact that she is something different—all the better. For Mad Men fans it’s easy to draw parallels between Tess McGill and Peggy Olson, too bad we don’t get to see the way Tess’s career plays out over the years as we get to see with Peggy. 

Tess McGill has become an icon for working women, she represents the struggle to be taken seriously, to go after your goals, and to achieve anything you put your mind to (even in an unconventional way). This film still resonates because women are still second-rate citizens in the business world. As of 2009 only 1.5% of the 2,000 top performing companies worldwide were women. Sadly, that is a huge jump from the 1980’s when there were virtually no female heads of major companies. There is still a huge pay gap for women both in and out of the business world. Even as CEOs of major companies women tend to make less than half the pay of their male counterparts. I wish this film could be looked at as a lighthearted romantic comedy, but the issues that made it powerful at the time still remain more than twenty years later. Sorry to bum you out, but it’s the truth, and a very important one to remember. The gender wage gap exists, and the only way we can ever change that is by admitting that it’s there, I don’t think Tess McGill would have stood for it, so why the hell should we right?

When my sister and I watched Working Girl as kids, I think we both related to it because it’s New York, and as strange as the big hair and blue eyeshadow seem now, at the time that felt familiar, it was what my babysitters and my aunts were wearing. I think my sister took away more from the film than rainbow eyeshadow and shoulder padded suits. We were raised in an apartment in Queens and never had much money, but what we did have was parents who told us we could be absolutely anything we put our mind to (and who let us watch this movie!), so she ended up a high-powered attorney in Manhattan, I consider her a Tess McGill of her own making, and we’re very proud of her. I hope this film continues to inspire young women for a long time to come and I hope it teaches them that they truly are the ones who make it happen, male or female, nobody is going to achieve your goals for you, and that’s a fact.

Have a great weekend everyone!

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Body Hair: To Wax or Not To Wax?

Alright, so I have this dilemma—that’s probably a bad way to start a post about body hair, but stick with me, the problem is I’m wearing a tea length dress at my wedding and my legs will be visible. So, for the first time in my life I’ve been thinking of getting my legs waxed, which I find terrifying. Being forced to think about this dilemma has really gotten me thinking about body hair in general, and all the painful, expensive, decisions that go with it.

I’ve only ever had my eyebrows waxed and I can’t say that I loved it, with the lasting redness and localized breakouts it caused, I’ve mainly stuck to tweezing. I can only imagine that waxing large areas of skin is far more painful, and also pricey, but for my wedding it does seem somewhat appropriate. My main goal for my wedding day is to not have to think about too much, low-stress is the goal, so even something stupid like shaving my legs could become a disaster.

I know there are people out there who wax on a regular basis, some who wax everything all the time, and I have to say I find the subject both fascinating and unnerving. What it makes me wonder about specifically, is why our culture feels so strongly about ripping all hair out from the root in what can be a sometimes excruciating procedure.

I totally understand that we have hair in places we might not want it, and that eliminating it, or shaping it, can lend to the attractiveness of our appearance, but I think when all body hair (and other people’s body hair) becomes cause for ridicule, things have gone too far. I shave my armpits, maybe not as thoroughly in the winter, but I prefer it. I’m not sure if it’s due to a real personal preference, or a result of habit. From the time I’ve had hair under my arms I’ve been shaving it off. Sometimes I think about what it would be like to let it grow in all the way, but frankly, when it gets past an inch, I feel compelled to shave it down again. Women who don’t shave their pits usually get some absurdly generic label slapped on them, like “hippie”, or “feminist”, or “European”, but why should shaving your armpits (or your legs) be any different from filing your nails, it’s simply a personal choice.

For most women, the act of hair removal is as commonplace as shampooing, it’s expected to the point of annoyance. I completely understand women who have laser treatments and electrolysis to remove hair so that they don’t have to worry about it anymore. Because that’s my main issue with hair removal—having to worry about it at all. I have a beauty routine, I moisturize, I exfoliate, I deep condition my hair, and I don’t really mind any of those things, I actually enjoy them, but for me, excessive hair removal has always been where I draw the line. It’s not just the pain, I can handle the burning wax, the awful sneezing that results from eyebrow plucking, and the inflamed skin, it’s the upkeep that makes me crazy. It’s the fact that the hair grows back, sometimes so quickly it’s shocking that nature could be so cruel.

When a celebrity dares to neglect the removal of visible body hair, they’re not only ridiculed, but added to photo galleries to be remembered for their foolish transgression for all internet history. For this reason, it’s become quite clear that body hair is disgusting. To show body hair is to demonstrate a flagrant disregard for your own hygiene, despite the fact that it naturally, and persistently, sprouts from all of our bodies. While looking for images for this post I was shocked at how offended some were at a celebrity’s follicular “neglect”.

Not shaving your legs or pits isn’t like deciding not to brush your teeth or wash your hands, there isn’t anything un-hygienic about having body hair. In fact the removal of hair is far likelier to result in “un-hygienic” results—such as rashes and infections, so why all the hatred?  When I saw Mo’Nique at the golden globes instead of thinking it was disgusting I thought it was awesome that she could stand there looking gorgeous, happy, and confident, hairy legs and all. It wasn’t one of those “Celebrity Oops” moments where they catch a starlet in pimple cream, this is a woman who just doesn’t like to shave her legs, and says “so what?”, pretty admirable if you ask me.

Despite my admiration of Mo’Nique, I don’t think I’ll be going the hairy legged route on my wedding day, call me a conformist, but I’m not there yet, maybe one day though. For now, I need to decide whether a leg wax is in my future.

I’m curious to know how other women feel about hair removal. I’m not condemning or condoning either practice, but it seems important to understand why we do it, why we suffer the pain or choose to avoid it, and why either choice should be the business of anyone else but you. So share your opinions—oh, and if you have any advice or experience on the leg waxing dilemma, I’d love to hear that too!

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Beauty on Television: Veronica Mars

This week I’m changing things up. Instead of a movie, I’m featuring one of my favorite TV shows—the sadly canceled Veronica Mars. I’ve often been teased for watching it, but I stand by Veronica Mars as being one of the best things on television—ever. A lot of people don’t know what Veronica Mars is, perhaps you’re like me and had the idea it’s about a teen psychic (maybe I got it mixed up with That’s So Raven?) or maybe you think it’s a UPN teen soap-opera in the same vein as The OC, or maybe you’ve just never heard of it at all. Whatever you thought, it’s worth giving a chance, because you might just end up as obsessed with it as I am.

Veronica Mars is a television series about a teenage girl (Kristen Bell) living in one of the wealthiest neighborhoods in Southern California, the fictional town of Neptune—but Veronica lives on the wrong side of the tracks. She used to live on the right side, she used to be one of the popular kids, and she used to be the daughter of the local sheriff, but things change. We meet Veronica a year after she has lost everything, and we watch as she tries to sort out what happened to her life. A year earlier Veronica was happily attending the homecoming dance and pep squad meetings with her best friend Lilly Kane (Amanda Seyfried), she was also dating Lilly’s younger brother Duncan (Teddy Dunne), and living in a big house with her mom and dad. But when Lilly is found dead on her parent’s estate, (they’re the wealthiest family in Neptune) her murder sets off a series of events that will change all the character’s lives forever.

Veronica’s father Keith Mars, (Enrico Colantoni) the sheriff of Neptune, investigates Lilly’s death and believes the wrong man has been arrested for the crime. When Keith accuses the Kane family of foul play in the murder of their own daughter, the town (and the nation) turn against him. Keith is removed from office, leaving the Mars family with no money and no status. After her mom leaves town, Veronica and her dad set up “Mars Investigations” and move into a small apartment on the other side of Neptune.

Veronica Mars recalls another dark television mystery—Twin Peaks, the question on everyone’s mind (especially Veronica’s) being “who killed Lilly Kane?”.

The first season (there are two more) of this series is the best mystery I’ve ever seen played out on TV—and maybe ever. After the first episode you’re hooked, and from then on it’s a ripping yarn to the finale. Each episode follows its own storyline in which Veronica solves a mystery, but the season-wide arch involving Lilly Kane’s murder, keeps you eagerly watching as things unfold.

This show features some heavy issues not often seen on television, let alone a teen show; classism, racism, rape, and violence are all dealt with often throughout the series. Despite the high school setting and the focus on hefty subjects, there is nothing sappy or “after-school special” about this series. The writing is incredible, the characters are diverse and well-developed, and the result is an extraordinarily mature show that was unfortunately sold to a teen audience on UPN. The marketing plan was just all wrong. I used to cringe at the commercials for Veronica Mars, even while I loved it, because it was edited to look like an overly dramatic, cheesy, high school series. I just don’t think they knew how to market it, or who to market it to.

This is one of those rare shows, like My So-Called Life, where the parents and teens are equal characters, fleshed-out and sympathetic, they interact with one another in a believable way. I’d watch a whole show just about Keith Mars, but the bond between Veronica and Keith is what turns this show to gold. Maybe it’s just that Kristen Bell and Enrico Colantoni have incredible chemistry, or maybe they’re both simply great actors, but the father-daughter relationship is what gives the series heart. Their love for each-other is so tangible it has brought me to tears many times (not that it’s hard to make me cry).

The show is packed with great actors, some known and some unknown, but they’re all well cast and each one adds something to the story. There are appearances by well-known actors such as Alyson Hannigan (from Buffy and How I Met Your Mother), Harry Hamlin and wife Lisa Rinna, Ken Marino (from The State), Tina Majorino (Napoleon Dynamite) and lots more. Joss Whedon and Kevin Smith have also made guest appearances because they were both huge fans of the show. The unknown actors are just as skilled as the veterans, rounding out the cast is Percy Daggs III as Veronica’s best friend Wallace, Jason Dohring as the school’s “psychotic jackass” Logan Echolls, and Francis Capra (although to anyone who has seen Kazaam he is hardly unknown) as the leader of high school motorcycle gang the PCHers.

I don’t want to give anything else away—it is a detective series after all. So, I am commanding you to watch this show. Seriously, you should, if you like mysteries, if you like good stories, cliff hangers, and twisting plot lines, you’ll love it. Kristen Bell is excellent, sometimes I still get sad when I realize she is just an actress and not Veronica. I can’t emphasize how refreshing the character of Veronica Mars feels, and it’s a shame we don’t see more female characters like her on television. She is smart as a whip, tough as nails, and full of surprises. Veronica is a role model for all women because of her strength and determination, and she doesn’t let anyone push her around—she will tase you if she has to. She doesn’t have super powers like Buffy, but she does have tons of awesome gadgets and a dog named “backup”. Veronica always does whatever is necessary to find the information she needs, and usually gets herself into heaps of trouble, but more often than not she beats the bad guy, saves the victim, and she always, always, solves the mystery.

So come on, aren’t you just dying to know who killed Lilly Kane?

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