A few weeks ago I featured the film Clueless an update of Jane Austen’s Emma, only to realize that I’ve never featured a direct adaptation of an Austen novel into film. So this week I feature Ang Lee’s beautiful Sense and Sensibility which may not be as true to the novel as some Austen fans would like, but no doubt makes up for it with stunning visuals and amazing acting.
As Mr. Dashwood passes away, his last request is that his only son, John, will promise to take care of his step-mother and sisters who will inherit virtually nothing due to England’s Primogeniture laws which stipulate that land is passed down to only male heirs. Unfortunately, John’s greedy wife Fanny convinces him his sisters will do perfectly fine on their own. As a result Mrs. Dashwood (Gemma Jones) and her three daughters, Elinor (Emma Thompson), Marianne (Kate Winslet), and Margaret (Emilie François) become strangers in their own home and must seek a new place to live.
Fanny’s brother Edward comes to visit while the Dashwoods prepare to abandon their home. Edward is nothing like his shallow, cruel sister and soon he and Elinor form a close friendship. Fanny, or course, disapproves and fearing the friendship will blossom into love makes sure Edward leaves before any such thing can happen. When Mrs. Dashwood’s wealthy cousin, Sir John Middleton, offers the women a cottage on his estate they are finally out of danger. Like most Austen, there are way to many characters and way too many plot twists to cover any more of the plot here, you’ll just have to check it out yourself, it’s worth it.
Sense and Sensibility was Jane Austen’s first published novel, in 1811, and was written under the pseudonym of “A Lady”. She was just 19 when she began what would become her first full length work, and some believe it is partially based on her relationship with her own sister Cassandra. While Elinor represents “sense” or a restrained and courteous disposition, Marianne’s character is representative of “sensibility” what we today would think of as sensitivity, or an overly emotional personality.
Both sister’s traits have their positive and negative aspects, but it does seem that Elinor’s restraint and patience win out while Marianne’s impulsive, sometimes inappropriate, behavior results in heartbreak and distress. Many Austen Biographers have argued over which of the two traits Austen saw as superior, or if she was ever sure of that answer herself. It is generally believed that Austen saw herself as free-spirited Marianne, and her sister as the more practical Elinor whom she looked up to greatly.
During this period in history, as well as many others, a woman’s search for a husband wasn’t what we think of it as today, it was an essential part of life. A woman being a spinster wasn’t awful because it meant she would be sad and lonely, but because she would be poor and most likely spend the rest of her life living off her relation’s generosity. Austen’s novels, though they deal heavily in romance, are also about the struggle to persevere.
If you were a woman born into the middle or upper classes you couldn’t simply go out and get a job, you had no options. The bechdel test fails in Austen, and in other places too, because the need for a husband was so much more than simply romance, it was in many ways a woman’s only hope and therefore a major part of the conversation among women at the time.
To think Austen reveled in the predicament women were in during her time is to completely miss the point, her characters are often in complete turmoil over their own fate, and Emma Thompson does a wonderful job of highlighting this aspect of female life in her adaptation (and in her performance as well). No one could read the novel, or watch the film, and believe that Elinor wouldn’t choose to go out and support her family if she could, but she is utterly repressed by the futility of her position.
Ang Lee’s naturalistic scenery, Jenny Beavan’s gorgeous costumes, and Emma Thompson’s insightful, funny, writing make this adaptation standout from others. There may be few of Jane Austen’s original words in the script, but the spirit of her characters and the cleverness of her storytelling are unmistakable and charming as ever.
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